Collecting Samples

Do you want links? Because I'll give you some damn links, I'm not afraid of you! I'm not afraid of NOBODY!

Dominant, a UC Berkeley alumnus who actually attended the much-publicized class on Shakur in the late '90s, says that he finds value in hip-hop studies, provided they take the long view. "With hip-hop and all black music, you can't talk about the art separate from a lot of other things," he says. "You can't talk about hip-hop as an art form without talking about the people, the economics, how and why it was made. You have to be pretty thorough."

Finding ways to teach and study hip-hop from within a university setting is not easy. "I worry that scholars like us get so obsessed with trying to justify hip-hop that we end up running in circles," says Berkeley grad student Felicia Viator, a DJ who's finishing up a doctorate in history.

harold

Posted March 7, 2007 11:20

Kal Penn is catching up with you on the blogging front.

Dan Guy

Posted March 8, 2007 11:51

“apparently so old nobody caught the reference”

Hey, I caught the reference and said as much in my comment at the time.

Bryan Wilhite

Posted March 13, 2007 15:04

So when you present this academic hip hop thing to the properly IT assimilated there is without fail the temptation to reduce this to the absurd. They assume it is time to stop doing “real” academic thinking and it is time to patronize a bunch of losers.

These blokes start to get scared when they realize that my IT skills often exceed theirs and when I tell them that the first computer programmers I met programmed drum machines they want to laugh but they are scared again of this unknown.

The principles of object oriented programming are African polyrhythms—-it is not meant for the ‘properly assimilated’ to understand this. Not even Dare Obasanjo…

The world will be transformed when a holistic understanding of this returns…

Boo…

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